A few months back, I had painted this picture of Chinaman’s Bluff.
I have never loved it, so I painted over it with burnt sienna,and tried to make something better out of it. This is the result.
I am happy with it, this time. First of all, I re-thought the composition, since it was really poor. This time I did not slavishly follow the photo reference, but used others as well to help me make up the final image.
Then, I used a gamut mask of my hand painted color wheel to get the main colors. The shape is a triangle with one vertex on the brightest yellow, and the other two respectively on the second mostly gray blue ad purple (shown below)
The photo is a bit more orange than the actual painting, which tends a bit more towards green compared to it.
Here are some passages of the painting:
Archives

Chinaman’s Bluff
I finally got enough time to complete this painting. After having done all those preparatory studies, I really had to reward the photo with a complete piece.
I can’t say I am totally satisfied, but it’s a step forward. It’s still lacking variety in the brush shapes, as well as enough detail (I worked basically wet on wet). The middle distance cliff has been a pain much like in the studies, and I couldn’t get it the way I wanted. I also failed in capturing enough darkness and depth in the nearer water, as it looks a bit fake, but I guess it will be for next one.
My palette was: Titanium White, Nickel Azo Yellow (I still hadn’t got my cadmium yellow light), Venetian Red, Burnt Umber, Ultramarine, Primary Cyan, Yellow Ochre. I used a big #12 bristle Filtbert, a couple of smaller #4 ones, and a tiny synthetic #2 for the smaller strokes.
