Still Life in Color

Here is, as promised last time, the colored exercise of my previous still life.
For this exercised I tried using a limited palette: Cadmium Yellow Light, Permanent Rose, Ultramarine, Burnt Sienna, Yellow Ochre.
I laid down the first layer as thinly as I could, still trying to follow Harold Speed’s advice. I thinned my paint with the 50/50 mixture of linseed oil and turps. (Photos have been taken under different lighting conditions, hence the huge difference in tone)
I let this try, then went for a second layer a week later.

I had lots of trouble with the spoon’s shadow on the inside of the saucepan. Another week to dry (well, I just didn’t have time to finish it) and the result is the first image. In the last passage I made the greens on the bottle a lot more saturated as they were way too gray.
Finally, here is a photo oh my setup. I took it lower than my point of view for the painting, that’s why perspective is so different. Onto flowers now!