Working on heads at the Watts Atelier! I have done at least 2-3 dozens of these heads, and by now I believe I memorized them enough to draw them without having the reference.
I found it quite challenging actually, because of the lack of enough landmarks in the first place, but also because the head is not exactly following the rule of thirds (the muzzle part is a little taller than it should).
Overall I am pretty satisfied with it. I will spare you the first embarassing ones 😀 These are the last. Moving onto the Reilly Head Abstraction now!
Continuing on my skull studies, I am trying to grasp the structure so I made a few studies focusing on that, as well as trying to recall from memory:
The key in these last ones was to get more of the shadow mapping, rather than real structure as in the first image. Pose number 3 (bottom left) was by far the hardest one to get, for some reason, together with number 2 (top, center)
Going through Head phase I at the Watts Atelier. I am dealing with nasty skulls, and so far I admit I am quite enjoying the lessons. I don’t really like having to copy Jeff’s shadow mapped versions of them, but rather prefer copying from photos or my own skull. Right, I do have a skull, apart from the one that makes up my head 😛
And no, I did not steal it from a grave, it’s a plastic cast! Readers, meet Murray:
I skipped posting the wrong version of Murray, the two above are the same at two different stages of completion. After the three quarters view I will do next, I will move to the simple Asaro Head.
Last week I started what’s gonna be a long (no, really) journey at the Watts Atelier.
For those of you who don’t know it, it’s simply the best online school where to learn how to draw and paint in an academic, traditional way. It’s pretty expensive, but worth every single penny.
The method itself is hard to grasp since the very beginning, starting from how to sharpen a pencil:
Which is a lot more difficult than it seems, using a razor blade. Yes, a razor blade, that it. Phew! I didn’t break any so far, the shorty over there has just fallen from the desk.
The next step, which will last ages, is learning how to use it. It’s not so obvious as the crafty little tool can be used in a variety of ways, to produce a number of different strokes and broad shading:
These are full 12″ by 18″ sheets of smooth newsprint full of warmup strokes. The warmup consists in long line exercises, as well as ovals. And tryst me, drawing ovals IS difficult. Especially with this pencil. Apart from being necessary to get the necessary focus, these exercises are fundamental to get the handle of the oddly sharpened pencil.
Wrapping it up: I am totally enthusiast of this course, I can’t wait to get to the real juice with head and figure drawing. I also started with Gouache Phase I, but I will post the complete first batch when I will be done with the first painting.